It was a continual translation between the two worlds and hopefully we put something together that will be something different because of that. We were just together working throughout the whole process and there was never a point where the orchestra was not in their minds and the electronics were not in my mind. I was locked in a room with robots for almost two years and it was simply a lot of hard work. It seems complicated at the end of the day, but it’s actually quite simple. Trapanese cited the collaboration between the different genres to work out well in the end, stating: The orchestra was conducted by Gavin Greenaway. The band collaborated with him for two years on the score, from pre-production to completion. Daft Punk's score was arranged and orchestrated by Joseph Trapanese, who stated he is a fan of Daft Punk as a duo and as solo artists. Kosinski stated that the score is intended to be a mixture of orchestral and electronic music. The score of Tron: Legacy features an 85-piece orchestra, recorded at AIR Lyndhurst Studios in London. Noé had asked Bangalter to compose the soundtrack to the film Enter the Void, but Bangalter was working on Tron: Legacy at the time and instead served as sound effects director. Thomas Bangalter of Daft Punk had previously produced the soundtrack to Gaspar Noé's 2002 film Irréversible. When asked why he wished to work with the duo, Kosinski replied, "How could you not at least go to those guys?" The film producers initially attempted to reach Daft Punk in 2007, but the duo had been unavailable due to their Alive 2006/2007 tour. Tron: Legacy director Joseph Kosinski and music supervisor Jason Bentley approached Daft Punk and requested that the duo compose the film score. It is the only film score by French music duo Daft Punk. I hope you enjoy the music these artists have put such great work into.Tron: Legacy (Original Motion Picture Soundtrack) is the soundtrack album to the 2010 film of the same name, released by Walt Disney Records on December 3, 2010. In any case, since the story of "Rise Of The Virals" takes place between the first "Tron" film and the upcoming "Tron 2: Legacy", I can't think of a better title for this material other than "Tron 1.5". Journey provided two songs to the original "Tron", and their song "Separate Ways" will reportedly be on the "Legacy" soundtrack as well. I've decided to release the preliminary version of the soundtrack which includes a special remix of Journey's "Any Way You Want It" produced specifically for "Rise Of The Virals". Perhaps that is why we've seen sites like Flynn Lives creep up in anticipation of the new film. It is obvious to me that "Tron: Legacy" takes place after "The Rise Of The Virals" without abandoning its first concept. ![]() ![]() I have been most excited to see the announcement of the third film, the new "TR2N" (Tron: Legacy), especially with the involvement of those who will be creating the new soundtrack. Funding for the project was eventually pulled. After the completion of the initial tracklist and first production draft of the soundtrack, it seemed as if negotiations between Pixar and Disney had broken down. ![]() My task was to compile great underground artists to create a new soundtrack for this darker world of Tron. Furthermore, the story included the death of Flynn and presented questions about the digital life of programs lasting beyond the mortality of their creators - the users. It involved updating the ENCOM universe to a networked system (thanks to the Internet), but also created a darker world - full of programs abandoned as buggy systems (or "mutants") and abused by corrupt users as viral systems. "Rise Of The Virals" was a fantastic, but much darker storyline from the original - different from the "Into The Machine" pitch made to Disney by another party. As I understand it, the film was kept in great confidence with the producers as Pixar was still in negotiations with Disney about the responsibilities of the production teams. A draft of the story had already been written and early filming had begun (as reported by ZDNet on July 27, 1999). ![]() In late 1998, I was commissioned to compile and produce the soundtrack for a sequel to the film "Tron".
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